20 20 (2019)
Acrylic on canvas
20 + 20 parts, each 20 x 20cm
Acrylic on canvas
20 + 20 parts, each 20 x 20cm
My Show (2019)
Household paint, shed, acrylic on canvas
Installation view
Household paint, shed, acrylic on canvas
Installation view
Remembrance (2018)
Installation view |
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Lest we forget (2018)
Harlow Civic Centre
Installation view
Harlow Civic Centre
Installation view
Big Data (2018)
Window vinyl
Installation view
Window vinyl
Installation view
BIG DATA Site specific work for Art Souterrain 2018 -Labor Improbus, Montreal, Canada 3- 25 March
Sally Gorham is an English artist who’s artistic practice is mainly based on a twenty-five years of experience in the field of management. The artist has created a very geometric artistic language, directly inspired by the world of management and more particularly graphs used to carry out comparisons studies. Gorham works question the issue of collection and merchandising of our personal data on the internet.
Big data is an abstract window installation. In a geometric aesthetic referring to the business world, Sally Gorham ironically presents the extent to which our personal datas has become a source of speculation and enrichment. The use of primary and complementary colours attracts the eye of visitors and makes as much reference to the history of abstract art as to the colours of some large companies. The shapes represent the data from the “Montreal Metropolis of Talent” study. Avenues for action to improve employment, innovation and skills “ published in 2017 by the Organization for Economic Co-operation.
PLACE :
PLACE DE LA CITÉ INTERNATIONALE OACI
www.artsouterrain.com/en/sally-gorham/
Sally Gorham is an English artist who’s artistic practice is mainly based on a twenty-five years of experience in the field of management. The artist has created a very geometric artistic language, directly inspired by the world of management and more particularly graphs used to carry out comparisons studies. Gorham works question the issue of collection and merchandising of our personal data on the internet.
Big data is an abstract window installation. In a geometric aesthetic referring to the business world, Sally Gorham ironically presents the extent to which our personal datas has become a source of speculation and enrichment. The use of primary and complementary colours attracts the eye of visitors and makes as much reference to the history of abstract art as to the colours of some large companies. The shapes represent the data from the “Montreal Metropolis of Talent” study. Avenues for action to improve employment, innovation and skills “ published in 2017 by the Organization for Economic Co-operation.
PLACE :
PLACE DE LA CITÉ INTERNATIONALE OACI
www.artsouterrain.com/en/sally-gorham/
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Viral (2017)
Magnetic Vinyl
Installation view
Magnetic Vinyl
Installation view
Viral investigates its own political condition of production and circulation. It subverts both the notion of authorship and commodification by involving others in its production and by offering the potential to be rearranged by the viewer. Through the use of industrial material and outsourced industrial fabrication the artist becomes what John Roberts describes as the "artist as monteur/assembly manage". The title of the work refers to ways in which ‘alternative truths’ and fabricated facts have pervaded our lives.
Viral (2017)
Magnetic Vinyl Installation view |
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Viral (2017)
Magnetic vinyl on metal wall panels Installation view |
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New Town Census (2017)
Vinyl Installation view A site specific work commissioned by the Gibberd Gallery, Harlow to mark the 70th Anniversary of Harlow. The work is based on population data available for Harlow for the period 1947 to 2017 
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Untitled (2017)
Installation view
Installation view